Information
on work and artist
Originally studying at Goldsmiths College, London, I come from a training in
painting and drawing. My fascination with colour and light led me towards working
with glass. In 1993 I started postgraduate studies in Architectural Stained
Glass at Central St. Martins College of Art and Design.
During the following 4 years I developed various ways of working with glass
that help maximize the
potential for texture, light change and range of palette found within this beautiful
media.
In 1997 I won the Chase
Charity Award for M.A. students in Glass in the Southern Region. Since then,
I have continued to develop my approach to glass, and, as well as the public
works and exhibitions that I have been involved in, I have produced a large
range of private commissions. I continue to work to commission but am also
developing new work that incorporates hot glass techniques.
Although my own approach
to glass is contemporary, I use only the very best mouth-blown, antique glasses,
often flashed for etching.
I enjoy working with clients to produce individual pieces that suit particular
architectural settings.
As well as the more contemporary
techniques , that I have developed, of blasting, etching, fusing, slumping
and plating, I have had training and experience in traditional methods of
leading, enamelling, engraving and restoration
I have an extensive range of samples (around 500) as well as some small sample
works of different techniques and design ideas.
My studio is very well equipped with acid etching facilities, glass firing
and slumping kiln, industrial
sand blaster and a range of relevant tools.
My personal work often
has a spiritual element with ongoing themes that concern light, energy and
energy transformation.
My recent themes centre on the vessel shape which echoes ideas relating to
the female and "holding"
My work has been purchased
for various collections. And can be found in some public places. Cambridge
Regional College commissioned "Passing Place" in 1997. This large
work is installed in the main mall of the college.
In 2003 Clare Hall, Cambridge
University, purchased "Desert 1" and "Desert 2" which
are Installed in the Meetings Room
Margaret Buck, Head of
Central St. Martins has purchased 2 panels for the College's Archival Collection.
The Rector of the London Institute purchased a panel for the London Institute
Collection.
Designs were also commissioned for the chairman of the Board of Governors
at C.S.M.
My work "My Blue Heaven" (1996) features in the New Holland publication
by Lorraine Wriggly
"Contemporary Crafts: Stained Glass"
All my work is constructed
for permanent durability and safety. |